Almeida Junior(8 May 1850 ?C 13 November 1899) was a Brazilian painter of the 19th century. He is widely regarded as the most important Brazilian realist painter of the 19th century, and a major inspiration for the modernist painters. While most Brazilian academic artists made their fame painting mythological or historical subjects, Almeida Junior would become popular for painting rural figures, especially farmers and the caipira, the countrymen that are a kind of a symbol of the rural areas of the São Paulo state. While most realist painters used farmers and countrymen as an allegory of workers, Almeida Junior would paint his caipiras mostly on leisure time. He would also produce touching images of upscale landowners. The Bandeirantes, the ruthless explorers of colonial Brazil, would be depicted in the A partida da monção, showing an expedition on the Tiet?? River. Almeida Junior was born in the city of Itu, then a small town in the state of São Paulo. After becoming a sensation in his town he would be invited to study in the Brazilian Imperial Fine Arts Academy of Rio de Janeiro, but in 1876 would study in France after being granted a scholarship by emperor Pedro II of Brazil in person in the city of Moji-Mirim. He would have Alexandre Cabanel as one of his masters. He admired the French realist and naturalist painting (a major influence at his work), and, after returning to Brazil in 1882, became of the leading names in Brazilian realist painting. He was stabbed to death by the husband of his mistress on November 13, 1899 in Piracicaba. | |||
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almeidajr Gemälde ID:: 67619 Siehe Galerie in Schweden |
almeidajr Technique Oil on canvas Dimensions 141 X 172 cm Technique_Oil_on_canvas_ Dimensions_141__X__172_cm |
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Apostolo Sao Paulo Gemälde ID:: 68108 Siehe Galerie in Schweden |
Apostolo Sao Paulo Technique Oil on canvas Dimensions 97 X 77 cm Technique_Oil_on_canvas_ Dimensions_97__X__77_cm |
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Bust of a Man Gemälde ID:: 68109 Siehe Galerie in Schweden |
Bust of a Man Technique Oil on canvas Dimensions 75.5 X 60 cm Technique_Oil_on_canvas_ Dimensions_75.5__X__60_cm |
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Caipiras Negaceando Gemälde ID:: 68110 Siehe Galerie in Schweden |
Caipiras Negaceando Technique Oil on canvas Dimensions 281 X 215 cm Technique_Oil_on_canvas_ Dimensions_281__X__215_cm |
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Ezequiel Freire Gemälde ID:: 68112 Siehe Galerie in Schweden |
Ezequiel Freire Technique Oil on canvas Dimensions 55 X 40 cm Technique_Oil_on_canvas_ Dimensions_55__X__40_cm |
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| Vorheriger Künstler Nächster Künstler | ||||||||||
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| Almeida Junior | ||||||||||
| (8 May 1850 ?C 13 November 1899) was a Brazilian painter of the 19th century. He is widely regarded as the most important Brazilian realist painter of the 19th century, and a major inspiration for the modernist painters. While most Brazilian academic artists made their fame painting mythological or historical subjects, Almeida Junior would become popular for painting rural figures, especially farmers and the caipira, the countrymen that are a kind of a symbol of the rural areas of the São Paulo state. While most realist painters used farmers and countrymen as an allegory of workers, Almeida Junior would paint his caipiras mostly on leisure time. He would also produce touching images of upscale landowners. The Bandeirantes, the ruthless explorers of colonial Brazil, would be depicted in the A partida da monção, showing an expedition on the Tiet?? River. Almeida Junior was born in the city of Itu, then a small town in the state of São Paulo. After becoming a sensation in his town he would be invited to study in the Brazilian Imperial Fine Arts Academy of Rio de Janeiro, but in 1876 would study in France after being granted a scholarship by emperor Pedro II of Brazil in person in the city of Moji-Mirim. He would have Alexandre Cabanel as one of his masters. He admired the French realist and naturalist painting (a major influence at his work), and, after returning to Brazil in 1882, became of the leading names in Brazilian realist painting. He was stabbed to death by the husband of his mistress on November 13, 1899 in Piracicaba. | ||||||||||
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